Ameesha Patel says Gadar films beat Dhurandhar in footfalls
Actor Ameesha Patel has claimed that Gadar: Ek Prem Katha and Gadar 2 have surpassed the upcoming or discussed film “Dhurandhar” in terms of theatre footfalls. Speaking in a recent media interaction, she said she feels proud to be part of what she called “cinematic history.” The remark has sparked fresh debate in Bollywood circles over box office comparisons and legacy films.
Written by
Jyoti Mukherjee

Lead
Mumbai, June 13, 2026 — Actor Ameesha Patel has stirred conversation in the Indian film industry after claiming that the Gadar franchise has recorded higher theatre footfalls than the film “Dhurandhar,” a title currently being discussed in trade and promotional circuits.
Patel, who played Sakeena in the iconic franchise, said she remains proud of the audience pull generated by both Gadar: Ek Prem Katha and Gadar 2, calling the films “a true cinematic legacy that continues to bring audiences to theatres.”
Her remarks quickly gained traction on social media, where fans and critics began debating the accuracy and context of her comparison.
Background and Context
The Gadar franchise holds a unique position in Indian cinema. The 2001 original became one of the most-watched Hindi films of its time, especially in mass circuits across North India. Two decades later, Gadar 2 revived the franchise and delivered a strong theatrical performance in 2023, driven by nostalgia and a renewed interest in large-scale Bollywood dramas.
Ameesha Patel’s comments come at a time when Bollywood is increasingly measured not just by revenue but by footfalls, repeat audience behaviour, and tier-2 and tier-3 city performance. Industry trackers have often highlighted that older franchises tend to outperform newer releases in mass audience engagement, even when adjusted for inflation or ticket pricing differences.
The mention of “Dhurandhar” in Patel’s statement has added another layer of discussion. While details around the film remain limited in public circulation, it is being positioned in industry conversations as part of the new wave of commercial Hindi cinema competing for theatrical attention.
Key Details
During her interaction, Patel reportedly emphasized that Gadar continues to enjoy unmatched audience loyalty.
She said, “When you talk about footfalls, Gadar 1 and Gadar 2 are not just films, they are events. I am proud to be part of that cinematic history.”
While she did not present official box office data, her focus remained on the emotional and cultural impact of the franchise rather than numerical comparisons alone.
Film trade observers note that footfall comparisons across decades can be complex due to changes in ticket pricing, multiplex expansion, and digital consumption habits. However, legacy films like Gadar are often used as benchmarks for mass appeal in Indian cinema discussions.
A trade analyst based in Mumbai said, “Ameesha Patel is speaking from the perspective of cultural impact. Gadar has a rare kind of audience recall, especially in small-town India.”
Industry Impact and Analysis
The debate triggered by Patel’s statement reflects a broader shift in Bollywood conversations. Unlike earlier years when box office collections dominated headlines, today’s industry discussions include occupancy rates, single-screen performance, and rural audience turnout.
The Gadar franchise is often cited as a case study in long-form theatrical engagement. Even years after its original release, the film continues to generate interest during television reruns and re-releases.
In contrast, newer films like “Dhurandhar” are entering a more fragmented entertainment landscape where OTT platforms and short theatrical windows reduce long-term visibility.
Industry experts say such comparisons highlight a generational gap in film consumption. While older films rely on word-of-mouth longevity, newer titles depend heavily on opening weekend performance.
Reactions
Fans of Sunny Deol and the Gadar franchise have largely supported Patel’s statement, pointing to packed theatres during Gadar 2’s release across northern India.
However, some social media users have questioned the fairness of comparing films across different eras and business models. A section of viewers argued that modern films face tougher competition from streaming platforms, making direct comparisons less meaningful.
On the other hand, trade circles have taken a more neutral stance, suggesting that such remarks are common during promotional cycles and should be viewed as opinion-based rather than statistical claims.
What Happens Next
As discussions continue, industry watchers expect more clarity once official data on newer releases and comparative footfall studies are released by trade tracking agencies.
For now, Ameesha Patel’s comments have reignited interest in the Gadar franchise and its lasting popularity. Whether or not the comparison with “Dhurandhar” holds statistical weight, the conversation has once again placed the franchise at the centre of Bollywood’s evolving box office narrative.
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